1841–1919

Pierre-Auguste Renoir

Renoir is one of the principal figures of Impressionism. He is best known for his atmospheric paintings of the attractions of the dancing establishment Moulin de la Galette in Paris, and his monumental pictures of ample nude women in natural surroundings. The expression of the sensual is quite central to his work.

Motifs: Portraits, pictures of “modern life” in and outside Paris, landscapes and bathing women.

Oil on canvas

65 x 85 cm

1875-76

Oil on canvas

65 x 85 cm

1875-76

Le Moulin de la Galette

At the Musée d’Orsay in Paris, among many of the masterpieces of the Impressionists, hangs the picture Dance at the Moulin de la Galette, Montmartre by Renoir. At Ordrupgaard hangs the sketch for the famous picture.

Renoir sought to render a shimmering dynamism that could give the effect of direct, instantaneous sense impressions. But the actual painting process was not so transitory. He spent a long time preparing and completing the painting both on the spot and in the studio. Precisely this is a fascinating paradox in Impressionism: that the painter wants to represent the transient, but that the transience ceases when one captures it. So the transience is often embedded in the clear, abrupt brushstrokes and in the glints of light that Renoir in particular was a master of painting.

All these features have helped to create our present-day impression of modern city life as it unfolded in Paris in the second half of the 19th century.

Pastel on paper

63.5 x 49 cm

c. 1877

Pastel on paper

63.5 x 49 cm

c. 1877

Young People in the Street

In this pastel Renoir has ‘zoomed’ straight in on some figures passing by on the street on their way out of a Parisian establishment. We do not know the story, but we come very close to the figures and sense a possible story unfolding in the crowd.

The impression is of urbanity, with the women’s elegant clothes and the men’s top hats. The potential for brushing against one another and flirting amidst the throng is there, and there is a focus on the many gazes and gestures that might lead to a romance, and which at all events reflect an energy in the passing crowd.

XX

29 x 34.5 cm

c. 1868

XX

29 x 34.5 cm

c. 1868

Woman in a Meadow (Lise Tréhot)

XX

41 x 33 cm

1877

XX

41 x 33 cm

1877

Portrait of a Romanian Lady (Madame Iscovesco)

Pastel on paper

63.5 x 49 cm

c. 1877

Pastel on paper

63.5 x 49 cm

c. 1877

Gabrielle Sewing

Pastel on paper

640 x 505 mm

c. 1885

Pastel on paper

640 x 505 mm

c. 1885

Young Woman with Bare Breasts

Pastel on paper

600 x 430 mm

c. 1882

Pastel on paper

600 x 430 mm

c. 1882

Girl with a Hat with White Flowers

Pastel og blyant på papir

395 x 305 mm

ca. 1893

Pastel på papir

63,5 x 49 cm

Ca. 1877

Two Girls Wading
GRAFIK

Etching

116-17 x 80 mm

ca. 1894

Unique state

Print no./edition: unknown

Pastel på papir

63,5 x 49 cm

Ca. 1877

The Hat Secured with a Pin (Berthe Morisot’s Daughter and Her Cousin)

Etching

117 x 80-82 mm

ca. 1894

Print no./edition: unknown

Pastel på papir

63,5 x 49 cm

Ca. 1877

The Hat Secured with a Pin (Berthe Morisot’s Daughter and Her Cousin

Soft ground etching

188 x 149 mm

1906

Unique state

Print no./edition: unknown

Pastel på papir

63,5 x 49 cm

Ca. 1877

Nude Woman Sitting

Etching

139 x 199 mm

1906

Second state of two

Print no./edition: unknown

Pastel på papir

63,5 x 49 cm

Ca. 1877

Nude Woman Reclining

Soft ground etching

137 x 96 mm

ca. 1908

Unique state

Print no./edition: unknown

Pastel på papir

63,5 x 49 cm

Ca. 1877

Half-Length Portrait of a Child

Etching

166 x 112 mm

ca. 1910

Print no./edition: unknown

Pastel på papir

63,5 x 49 cm

Ca. 1877

Woman Bathing