1841–1919
Pierre-Auguste Renoir
Renoir is one of the principal figures of Impressionism. He is best known for his atmospheric paintings of the attractions of the dancing establishment Moulin de la Galette in Paris, and his monumental pictures of ample nude women in natural surroundings. The expression of the sensual is quite central to his work.
Motifs: Portraits, pictures of “modern life” in and outside Paris, landscapes and bathing women.
Oil on canvas
65 x 85 cm
1875-76
Oil on canvas
65 x 85 cm
1875-76
Le Moulin de la Galette
At the Musée d’Orsay in Paris, among many of the masterpieces of the Impressionists, hangs the picture Dance at the Moulin de la Galette, Montmartre by Renoir. At Ordrupgaard hangs the sketch for the famous picture.
Renoir sought to render a shimmering dynamism that could give the effect of direct, instantaneous sense impressions. But the actual painting process was not so transitory. He spent a long time preparing and completing the painting both on the spot and in the studio. Precisely this is a fascinating paradox in Impressionism: that the painter wants to represent the transient, but that the transience ceases when one captures it. So the transience is often embedded in the clear, abrupt brushstrokes and in the glints of light that Renoir in particular was a master of painting.
All these features have helped to create our present-day impression of modern city life as it unfolded in Paris in the second half of the 19th century.
Pastel on paper
63.5 x 49 cm
c. 1877
Pastel on paper
63.5 x 49 cm
c. 1877
Young People in the Street
In this pastel Renoir has ‘zoomed’ straight in on some figures passing by on the street on their way out of a Parisian establishment. We do not know the story, but we come very close to the figures and sense a possible story unfolding in the crowd.
The impression is of urbanity, with the women’s elegant clothes and the men’s top hats. The potential for brushing against one another and flirting amidst the throng is there, and there is a focus on the many gazes and gestures that might lead to a romance, and which at all events reflect an energy in the passing crowd.
XX
29 x 34.5 cm
c. 1868
XX
29 x 34.5 cm
c. 1868
Woman in a Meadow (Lise Tréhot)
XX
41 x 33 cm
1877
XX
41 x 33 cm
1877
Portrait of a Romanian Lady (Madame Iscovesco)
Pastel on paper
63.5 x 49 cm
c. 1877
Pastel on paper
63.5 x 49 cm
c. 1877
Gabrielle Sewing
Pastel on paper
640 x 505 mm
c. 1885
Pastel on paper
640 x 505 mm
c. 1885
Young Woman with Bare Breasts
Pastel on paper
600 x 430 mm
c. 1882
Pastel on paper
600 x 430 mm
c. 1882
Girl with a Hat with White Flowers
Pastel og blyant på papir
395 x 305 mm
ca. 1893
Pastel på papir
63,5 x 49 cm
Ca. 1877
Two Girls Wading
GRAFIK
Etching
116-17 x 80 mm
ca. 1894
Unique state
Print no./edition: unknown
Pastel på papir
63,5 x 49 cm
Ca. 1877
The Hat Secured with a Pin (Berthe Morisot’s Daughter and Her Cousin)
Etching
117 x 80-82 mm
ca. 1894
Print no./edition: unknown
Pastel på papir
63,5 x 49 cm
Ca. 1877
The Hat Secured with a Pin (Berthe Morisot’s Daughter and Her Cousin
Soft ground etching
188 x 149 mm
1906
Unique state
Print no./edition: unknown
Pastel på papir
63,5 x 49 cm
Ca. 1877
Nude Woman Sitting
Etching
139 x 199 mm
1906
Second state of two
Print no./edition: unknown
Pastel på papir
63,5 x 49 cm
Ca. 1877
Nude Woman Reclining
Soft ground etching
137 x 96 mm
ca. 1908
Unique state
Print no./edition: unknown
Pastel på papir
63,5 x 49 cm
Ca. 1877
Half-Length Portrait of a Child
Etching
166 x 112 mm
ca. 1910
Print no./edition: unknown
Pastel på papir
63,5 x 49 cm
Ca. 1877