1817-1875
P.C. Skovgaard
P.C. Skovgaard is known as a painter who captures something particularly Danish in his landscape paintings. He was very fond of painting the Danish beech forests as a motif in carefully elaborated compositions where the sun shines and idyll is the order of the day. By placing the emphasis on harmony in the picture he did a great deal to create our national notion of the gentle beauty of our country. P.C. Skovgaard’s landscapes are based on – and intend to reproduce – an awareness of Danishness or patriotism via the landscape.
Oil on canvas
140 x 150 cm
1842
Oil on canvas
140 x 150 cm
1842
View from Frederiksborg Castle
P.C. Skovgaard’s View from Frederiksborg Castle was originally painted as part of a decoration project that he and J. Th. Lundbye carried out in 1842 in a room in a Copenhagen apartment that belonged to Skovgaard’s uncle Kristian Aggersborg. The decoration mainly consisted of three almost equally large wall sections and had the character of programme art: all three pictures showed a famous historic building in Denmark against a background of typical Danish landscapes. The now divided room decoration was a tribute to Danishness, a National Romantic room installation, and as such a neglected masterpiece of Danish Golden Age art.
Skovgaard does not show a prestigious view of the castle, for example by having a prominent facade fill out most of the picture surface. Instead he looks away from the building – but does show enough so we know where we are – and lets our gaze glide over the landscape. The movement of the gaze through the picture from viewpoint to horizon, from castle to forest – embodied by the only actors in the painting, the two walkers on their way into the forest in the background – describes the frictionless merging of Danish history and Danish nature that formed the core of the Golden Age worldview.
Pencil on paper
150 x 110 mm
1848
Pencil on paper
150 x 110 mm
1848
Portrait of the Painter J.Th. Lundbye in a Uniform
Pen, ink, brush and watercolor on paper.
260 x 335 mm
1854
Pen, ink, brush and watercolor on paper.
260 x 335 mm
1854
The Grand Canal, Venice
Pen and ink on paper
111 x 175 mm
1854
Pen and ink on paper
111 x 175 mm
1854
Italian Country House
Brush, watercolor, pen, ink and pencil on paper.
260 x 335 mm
1854
Brush, watercolor, pen, ink and pencil on paper.
260 x 335 mm
1854
View from Capodimonte towards Vesuvius
33 x 46 cm
1855
34 x 53 cm
1864
Five Young Girls. Study
37 x 37 cm
1856
37 x 37 cm
1856
Stream at the Edge of a Wood
42 x 69 cm
1860
42 x 69 cm
1860
Aggersborg’s Villa in ”Classen’s Garden”, Copenhagen
34 x 53 cm
1864
34 x 53 cm
1864
Field Road, Zealand
Brush and watercolor on paper
770 x 1790 mm
1865
Brush and watercolor on paper
770 x 1790 mm
1865
Hen with Chicks. Study for an Embroidered Tapestry
30 x 36 cm
1871
30 x 36 cm
1871
Hay Harvest. Knabstrup
34 x 41 cm
ca. 1872
34 x 41 cm
ca. 1872
At Sunset. Gisselfeld. Study
37 x 47 cm
ca. 1872
37 x 47 cm
ca. 1872