1817-1875

P.C. Skovgaard

P.C. Skovgaard is known as a painter who captures something particularly Danish in his landscape paintings. He was very fond of painting the Danish beech forests as a motif in carefully elaborated compositions where the sun shines and idyll is the order of the day. By placing the emphasis on harmony in the picture he did a great deal to create our national notion of the gentle beauty of our country. P.C. Skovgaard’s landscapes are based on – and intend to reproduce – an awareness of Danishness or patriotism via the landscape.

Oil on canvas

140 x 150 cm

1842

Oil on canvas

140 x 150 cm

1842

View from Frederiksborg Castle

P.C. Skovgaard’s View from Frederiksborg Castle was originally painted as part of a decoration project that he and J. Th. Lundbye carried out in 1842 in a room in a Copenhagen apartment that belonged to Skovgaard’s uncle Kristian Aggersborg. The decoration mainly consisted of three almost equally large wall sections and had the character of programme art: all three pictures showed a famous historic building in Denmark against a background of typical Danish landscapes. The now divided room decoration was a tribute to Danishness, a National Romantic room installation, and as such a neglected masterpiece of Danish Golden Age art.

Skovgaard does not show a prestigious view of the castle, for example by having a prominent facade fill out most of the picture surface. Instead he looks away from the building – but does show enough so we know where we are – and lets our gaze glide over the landscape. The movement of the gaze through the picture from viewpoint to horizon, from castle to forest – embodied by the only actors in the painting, the two walkers on their way into the forest in the background – describes the frictionless merging of Danish history and Danish nature that formed the core of the Golden Age worldview.

Pencil on paper

150 x 110 mm

1848

Pencil on paper

150 x 110 mm

1848

Portrait of the Painter J.Th. Lundbye in a Uniform

Pen, ink, brush and watercolor on paper.

260 x 335 mm

1854

Pen, ink, brush and watercolor on paper.

260 x 335 mm

1854

The Grand Canal, Venice

Pen and ink on paper

111 x 175 mm

1854

Pen and ink on paper

111 x 175 mm

1854

Italian Country House

Brush, watercolor, pen, ink and pencil on paper.

260 x 335 mm

1854

Brush, watercolor, pen, ink and pencil on paper.

260 x 335 mm

1854

View from Capodimonte towards Vesuvius

 

33 x 46 cm

1855

34 x 53 cm

1864

Five Young Girls. Study

 

37 x 37 cm

1856

37 x 37 cm

1856

Stream at the Edge of a Wood

 

42 x 69 cm

1860

42 x 69 cm

1860

Aggersborg’s Villa in ”Classen’s Garden”, Copenhagen

 

34 x 53 cm

1864

34 x 53 cm

1864

Field Road, Zealand

Brush and watercolor on paper

770 x 1790 mm

1865

Brush and watercolor on paper

770 x 1790 mm

1865

Hen with Chicks. Study for an Embroidered Tapestry

 

30 x 36 cm

1871

30 x 36 cm

1871

Hay Harvest. Knabstrup

 

34 x 41 cm

ca. 1872

34 x 41 cm

ca. 1872

At Sunset. Gisselfeld. Study

 

37 x 47 cm

ca. 1872

37 x 47 cm

ca. 1872

Sunny Day at the Building Site. Nysø