{"id":2286,"date":"2021-03-18T09:12:03","date_gmt":"2021-03-18T08:12:03","guid":{"rendered":"https:\/\/ordrupgaard.dk\/?post_type=oplevelse&p=2286"},"modified":"2024-10-30T15:49:14","modified_gmt":"2024-10-30T14:49:14","slug":"honore-daumier","status":"publish","type":"oplevelse","link":"https:\/\/ordrupgaard.dk\/en\/udstillinger\/honore-daumier\/","title":{"rendered":"Honor\u00e9 Daumier"},"content":{"rendered":"\t\t
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1808 \u20131879<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Honor\u00e9 Daumier<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Daumier is known for his large graphic works. He drew political caricatures and made lithographs for the satirical journals La Caricature and Le Charivari. His paintings, on the other hand, were something he rarely showed in public. Central to Daumier\u2019s work is his commitment to social criticism.<\/p>

Motifs: Contemporary events, portraits, illustrations for the book Don Quixote by Miguel de Cervantes and everyday scenes from Paris.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Oil on wood<\/p>

42 x 27,5 cm<\/p>

c. 1852<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\r\n \"\"\r\n <\/div>\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Oil on wood<\/p>

42 x 27,5 cm<\/p>

c. 1852<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The Wrestler<\/em><\/h5>

Daumier\u2019s paintings often \u2013 thanks to the intimacy \u2013 have something of the private sphere about them \u2013 as if the observer is given access to an unknown part of an otherwise fully accessible area. In this picture he deals with a favourite motif of the age: a wrestling match. But as something peculiar to Daumier\u2019s pictorial world, the focus is very much on the non-combatant wrestler, who steps forth in solitary majesty in the foreground towards the observer. It is his gaze back towards the arena that gives the fight scene its meaning. The contrast between the two scenes of the picture is reinforced by the contrast of light and darkness, distributed in foreground and background, public place and private sphere, activity and passivity, the discharge of energy and thoughtfulness.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Oil on wood<\/p>

42,5 x 38,5 cm<\/p>

1864-66<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\r\n \"\"\r\n <\/div>\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Oil on wood<\/p>

42,5 x 38,5 cm<\/p>

1864-66<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Don Quixote and Sancho Panza Resting under a Tree<\/em><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Oil on wood<\/p>

28,5 x 18,5 cm<\/p>

1845-48<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\r\n \"\"\r\n <\/div>\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Oil on wood<\/p>

28,5 x 18,5 cm<\/p>

1845-48<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Street Scene, Paris. Mother and Children<\/em><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sortkridt p\u00e5 papir<\/p>

297\/311 x 200 mm<\/p>

ca. 1865<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\r\n \"\"\r\n <\/div>\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sortkridt p\u00e5 papir<\/p>

297\/311 x 200 mm<\/p>

ca. 1865<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Venus fra Milo, studie<\/em><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Blyant og sort kridt p\u00e5 papir<\/p>

210 x ca. 231 mm<\/p>

f\u00f8r 1868<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\r\n \"\"\r\n <\/div>\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Blyant og sort kridt p\u00e5 papir<\/p>

210 x ca. 231 mm<\/p>

f\u00f8r 1868<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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P\u00e5 udstillingen: Et \u00f8jebliks hvile<\/em><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sortkridt<\/p>

XX<\/p>

XX<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\r\n \"\"\r\n <\/div>\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Olie p\u00e5 tr\u00e6<\/p>

42 x 27,5 cm<\/p>

Ca. 1852<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Teaterpublikum og andre skitser<\/em><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Akvarel p\u00e5 papir<\/p>

Ca. 239 x 219 mm<\/p>

XX<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\r\n \"\"\r\n <\/div>\r\n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Olie p\u00e5 tr\u00e6<\/p>

42 x 27,5 cm<\/p>

Ca. 1852<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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An Actor, Copy<\/em><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

1808 – 1879<\/p>\n","protected":false},"featured_media":3049,"template":"","oplevelser":[71],"class_list":["post-2286","oplevelse","type-oplevelse","status-publish","has-post-thumbnail","hentry","oplevelser-the-french-collection"],"acf":[],"yoast_head":"\nHonor\u00e9 Daumier - Ordrupgaard<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ordrupgaard.dk\/en\/udstillinger\/honore-daumier\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Honor\u00e9 Daumier - Ordrupgaard\" \/>\n<meta property=\"og:description\" content=\"1808 - 1879\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ordrupgaard.dk\/en\/udstillinger\/honore-daumier\/\" \/>\n<meta property=\"og:site_name\" content=\"Ordrupgaard\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ordrupgaardmuseum\/?locale=da_DK\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-30T14:49:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ordrupgaard.dk\/wp-content\/uploads\/2021\/02\/Honore-Daumier.-Bryderen.-ca.-1852.-Shuffle575px.-Fotograf-Anders-Sune-Berg.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"575\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/ordrupgaard.dk\\\/en\\\/udstillinger\\\/honore-daumier\\\/\",\"url\":\"https:\\\/\\\/ordrupgaard.dk\\\/en\\\/udstillinger\\\/honore-daumier\\\/\",\"name\":\"Honor\u00e9 Daumier - 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